Posts Tagged ‘festivals’

Theatre Review: “Woogie Boogie”, Ranga Shankara, 180719

July 19, 2019

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Superb special effects.

I am often asked why I go to watch children’s theatre shows. People usually associate children’s theatre, or puppet theatre, with a “fit only for children” narrative, too simple to hold an adult’s attention.

But plays, or to be accurate, performances, like “Woogie Boogie”, by Brush Theatre of South Korea, staged on 18th July 2019 at Ranga Shankara as part of the “AHA!” children’s international puppet theatre festival, show how any adult can be as entranced as a child. On the child’s level, the clowning and the brisk narrative are very entertaining; but on an adult level, one can see the precision of the production, with all the technical aspects of the performance blending seamlessly into a whole.

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Raindrops fall from the cloud that has been drawn.

“Woogie Boogie” was first performed at the Edinburgh Fringe Festival in UK in 2018 and has been travelling ever since. In Seoul, South Korea, the cast and crew end up performing Woogie Boogie every Saturday, at different venues, mainly for young audiences.The storyline is about the story of two friends, (Woogie and Boogie) who go on their first adventure to the sea with their tiny friend, the turtle. The show was first performed at the Edinburgh Fringe Festival in UK in 2018 and has been travelling ever since. In Seoul, the cast and crew give performances of Woogie Boogie every Saturday.

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Performers, showing the costumes and the laptops used.

Even as the audience entered the theatre, they found the cast and crew on and off the stage, casually waltzing, playing the piano and thumping on an empty cardboard box. The central, large white screen or board was flanked by two performers ; electronic organist Sung San Hee on one, and another, operating a lot of highly technical software and hardware, on the other.

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The whole theme of the set and costume design was black and white; the performers wore white shirts, black trousers and suspenders, and paper crowns or cones. The two performers who acted as Woogie and Boogie, drew black pictures on the huge white board, erasing them or transforming them as the play progressed.

As the play began, their cheerful “Hello”s were reciproated by a full-throated response from the children. The two came out with white boards with an “O” outline drawn on them, held in front of their faces. They then ran into the audience, allowing some of the eager children to draw eyes, nose and mouth in the outlines. Back on stage, a body was drawn, and the narrative began to take shape, with Woogie and Boogie first playing with the “on-off/black-white” scenario, with superb and precise lighting being switched on and off.

The two began doodling various things (the children and adults both had great fun guessing what each doodle would turn out to be).But to our amazement, the doodles took on a life of their own! A fish that was drawn started swimming in the sea that the board represented, and a little turtle turned from a drawing into a small puppet. And so it went as the action progressed; a delightful melange of drawing, puppetry, mime, and computer-generated moving images, laced with music and audio side-effects kept the audience enthralled.Soon enough, the actors are out on the stage again — amid squealing children, whiteboards in hand. The children excitedly dart up from the seats to scribble on them — this is precisely what the performance draws focus to. Doodles and scribbles are a child’s favourite companions, especially when a blank space is involved. And most often, stories take form through these careless strokes.

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A brain, and the thoughts from that brain.

“It is a multimedia drawing show. We combine hand drawings and projection to make these doodles come alive on this big white board,” says Kim Jae Woong, the video technician in the crew. This was one thing I could appreciate as an adult–the perfect synchronization between the computer graphics and the performer’s actions, so that there was no glitch at all in the story. This was truly amazing, as no matter how much they have practised together, it still needs excellent timing to succeed.

Apart from the music, the strange noises the various creatures make when conjured up. were also produced by various instruments or through the voice of the cast. I was able to get only a few names of the crew members from the net: Kim Dong Hyu, Yeom Yonggyun, Lee Seungeun, Song Eyunjae…I was not sure who played what role in the production that evening; I think all six of the crew can do any of the roles if needed.Unfortunately, there was no brochure provided,nor were the cast and crew introduced at the end of the play.

Innumerable creatures and doodles later, a puffer fish slowly grew into an evil creature which wanted to eat up Woogie and Boogie. Finally, the little turtle returned to the sea and swims off to deafening applause from the audience.

The final few moments of the play also transformed the stage from a monochrome black and white to colour, as Woogie and Boogie performed lithe calisthenics against the board.

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. And, instead of going off to wipe their faces streaming with perspiration from the exertion in the humid weather, they all came to the foyer to interact with the delighted audience once again.

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The cast taking a bow, with the electronic organ and the head of the turtle visible.

Such an evening of a performance that delights young and old alike, and has enough for any age group to marvel at and enjoy, is a real treat, and our grateful thanks to Ranga Shankara’s AHA! for giving us such an opportunity to enjoy this creativity.

“Woogie Boogie” by Brush Theatre, South Korea
Duration: 50 min.
Cast and crew of 6, I could not get all the names.
Multimedia presentation.
Tickets:Rs.200
July 18, 2019, Ranga Shankara

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Theatre Review: Squirrel Stole My Underpants, Ranga Shankara, 150719

July 16, 2019

Do adults go to watch children’s plays? Or to be more precise, do adults go to watch children’s puppet theatre…without children accompanying them? The answer, for me, was a resounding yes. I had been hoping to take my grandchildren to at least some of the puppet theatre festival be at Ranga Shankara, under the AHA! banner.


The “Same-Same” theme of the festival.

Language and music classes in the evenings prevented my grandchildren from coming along with me, but when a friend, Harini Srinivasa Rao, told me that she could not utilize her three tickets, I jumped at the chance, and converted my evening walk into an evening, watching “Squirrel Stole My Underpants”, staged by

The Gottabees

a Boston-based ensemble. It was a show for “children above 4 years”, and since I counted myself in, I settled in amongst the full house of children, parents, grandparents and family.


The queue (it was a full house).

The 45-minute performance was carried by Bonnie Duncan, with auburn curls, a printed frock with a gingham apron, with preppy socks and shoes. Two musicians, Brendan Burns & Tony Leva , kept up the tempo and mood of the show on the electronic cello and guitar. These instruments, which were very slim, shaved-down versions of the traditional ones, were as interesting to me as the rest of the show.


The musicians on the left of the stage.

Though the stage setting was very simple — a clothes stand of two poles with lines! What “Sylive”, the main character, brought to the narrative was, like Baa Baa Black Sheep’s wool, three bags full of props. She started with putting out a large bedsheet, which served later as the screen for the hand puppets. She then added the laundry, and showed especial happiness when putting out the pink underpants to dry. Almost immediately, the squirrel turned up, and off he went, after several hilarious attempts, with that article of underclothing. As Sylvie chased him, out came a smorgasbord of articles and clothing f from those three bags…including a blue-curtain sea, a bag that she could step into and create a boat out of, a sun, a cloud to hide the sun, and so on….in sunny weather and rain, she chased the naughty squirrel.


Sylvie and her clothesline.

It was delightful to see that both the performer and the squirrel had smaller-size puppets to represent them; reality and fantasy flowed into one another with great ease, in just the way it does in childhood. Several times, the audience applauded spontaneously, cheering on the performer and her narrative.


Some papiermaiche puppets in the foyer.

The two musicians, producing a variety of sounds, evoked different moods and enhanced the production very well. The cello was tuned frequently; I did not know whether it just fell out of tune or the accompanying music required the re-tuning. But it was obvious that the musicians, too, were enjoying the spectacle playing out in front of them! At several points, the audience joined in the rhythm of the music, clapping along.

Three-quarters of an hour slipped by fast, and once the show was done and the performers had taken their bows, Bonnie gave a delightful Mime 101, inviting the entire audience to mime taking a cupful of “the most yucky thing” imaginable, trying to drink it, and spitting it out. The audience, even the adults, followed the instructions gleefully. This involvement caused another round of applause at the end.

The innovative use of props (I never knew that a pair of brown trousers and several green underpants could become a tree!) was a highlight of the show.

Speaking of highlights, the light design also added considerably to the visual appeal of the show. Now bright, now dimmed, they followed Sylvie on her adventure of search. Alas, we were not told who handled the lights!

It was a delightful show, simple without being cloying, and it was very obvious that the children and the children-at-heart enjoyed it very much. I am sure many in the audience would follow Bonnie’s suggestion and try their hands at puppetry or mime.

The

AHA! Children’s Puppet Theatre Festival

continues until 20th July,2019.

Squirrel Stole My Underpants
July 15, 2019, at Ranga Shankara
45 min.
No language; puppetry and mime.
Created and performed by Bonnie Duncan
Music by Brendan Burns & Tony Leva
Directed by Dan Milstein
Costumes by Penney Pinette
Set by Hamideh Rezaei-Kamalabad
Tickets: Rs.200

As an aside: Ranga Shankara needs to either update or close down its FaceBook page, which only gives details of the AHA! Festival from 2017.


Small workshops and performances by and for the children also taking place in the foyer area.

Eid at Fatima’s home, 050619

June 6, 2019

Fatima (in the lehenga..she’s 20, can you believe it?) teaches K1 Hindi. She invited us over for Eid and, with her family, extended such warm hospitality!

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Fatima, her parents and brother Zain, with K1 and K2

When we got home, I explained to the children how Imitiaz, her father, had fallen on hard times and had to shut his tailoring shop. The children have just brought out some toys that they want to give Zain, her 7-year-old brother.

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The feast at Fatima’s
I am very proud of of Fatima, who works in an office; and I am very proud of my grandchildren. This warmth and inclusiveness is what Eid, or any other festival, is all about.

mahishAsura mardhini, 191018

October 19, 2018

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अयि गिरिनन्दिनि नन्दितमेदिनि विश्वविनोदिनि नन्दिनुते
गिरिवरविन्ध्यशिरोऽधिनिवासिनि विष्णुविलासिनि जिष्णुनुते ।
भगवति हे शितिकण्ठकुटुम्बिनि भूरिकुटुम्बिनि भूरिकृते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १ ॥

Ayi Ranna-Durmada Shatru-Vadho[a-U]dita Durdhara-Nirjara Shakti-Bhrte
Catura-Vicaara Dhuriinna-Mahaashiva Duuta-Krta Pramatha-[A]dhipate |
Durita-Duriiha Duraashaya-Durmati Daanava-Duta Krtaanta-Mate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 5 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
5.1: Salutations to You O Divine Mother; I Invoke You; Who Manifested to Destroy the Battle-Intoxicated Arrogant Demons and Who is the possessor of Unrestrainable and Imperishable Power,
5.2: (I Invoke You) Who made Lord Shiva Her Messenger, that Shiva Who is Distinguished by Cleverness in Deliberation and is the Lord of the Ghosts and Goblins,
5.3: Who is Honoured for Bringing an End (i.e. Rejecting) to the Proposal of the Evil-Minded and Ignorant Messenger of the Demon (Shumbha) (and hence bringing an end to the demons themselves),
5.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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सुरललना ततथेयि तथेयि कृताभिनयोदर नृत्यरते
कृत कुकुथः कुकुथो गडदादिकताल कुतूहल गानरते ।
धुधुकुट धुक्कुट धिंधिमित ध्वनि धीर मृदंग निनादरते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ९ ॥

Sura-Lalanaa Tatatheyi Tatheyi Krta-Abhinayo-[U]dara Nrtya-Rate
Krta Kukuthah Kukutho Gaddadaadika-Taala Kutuuhala Gaana-Rate |
Dhudhukutta Dhukkutta Dhimdhimita Dhvani Dhiira Mrdamga Ninaada-Rate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 9 ||

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Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
9.1: (Salutations to You O Divine Mother) I Invoke You; Following the Rhythm of Whose Great Battle the Celestial Dancers Dance the rhythm of Ta-Tha-Theyi, Ta-Theyi, expressing the sentiment of the battle with their Dramatic Acts,
9.2: (I Invoke You) Following the Rhythm of Whose Great Battle the Celestial Musicians Create Music capturing the Tense Eagerness of the battle with the Talas (musical beats) like Ku-Kutha, Ku-Kutha, Ga-Da-Dha, Ga-Da-Dha,
9.3: Following the Rhythm of Whose Great Battle a Steady Deep Sound of Dhu-Dhu-Kuta, Dhu-Kuta, Dhim-Dhimi is played in the background from the Mridangam (a musical drum),
9.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

सहितमहाहव मल्लमतल्लिक मल्लितरल्लक मल्लरते
विरचितवल्लिक पल्लिकमल्लिक झिल्लिकभिल्लिक वर्गवृते ।
शितकृतफुल्ल समुल्लसितारुण तल्लजपल्लव सल्ललिते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १२ ॥
Sahita-Mahaahava Mallama-Tallika Malli-Tarallaka Malla-Rate
Viracita-Vallika Pallika-Mallika Jhillika-Bhillika Varga-Vrte |
Shita-Krta-Phulla Samullasita-[A]runna Tallaja-Pallava Sal-Lalite
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 12 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
12.1: (Salutations to You O Divine Mother) I Invoke You; Who is Accompanied in the Great Battle against Excellent Wrestlers (Fighters) by Girls who appear Tender like Jasmine Fighting against the Enemies,
12.2: (I Invoke You) Whose Accompaniments are Composed of Girls from the Bheel Tribe who are Tender like Creepers of Jasmine and buzz like Swarms of Bees,
12.3: Whose Face Play a Smile Created by Joy which appear like Dawn Shining forth with Red Colour and Blossoming the Excellent Buds of Flowers,
12.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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विजितसहस्रकरैक सहस्रकरैक सहस्रकरैकनुते
कृतसुरतारक सङ्गरतारक सङ्गरतारक सूनुसुते ।
सुरथसमाधि समानसमाधि समाधिसमाधि सुजातरते ।
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १७ ॥
Vijita-Sahasra-Karaika Sahasra-Karaika Sahasra-Karaika-Nute
Krta-Sura-Taaraka Sanggara-Taaraka Sanggara-Taaraka Suunu-Sute |
Suratha-Samaadhi Samaana-Samaadhi Samaadhi-Samaadhi Sujaata-Rate |
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 17 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
17.1: (Salutations to You O Divine Mother) I Invoke You; Who Conquer Thousands of Enemies who fight against Her with Thousands of Hands (by manifesting Her Own Thousand Hands); Who then Make Thousands of Hands (of Devotees) Praise Her,
17.2: (I Invoke You) Who Created the Rescuer of the Devas (Son Kartikeya) to Fight with Demon Tarkasura and then Urged Her Son for that Great Fight,
17.3: Who is Pleased with both: The Devotional Contemplation like King Suratha for Worldly Gains, and also the Excellent Devotional Contemplation like Merchant Samadhi for Spiritual Knowledge,
17.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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पदकमलं करुणानिलये वरिवस्यति योऽनुदिनं सुशिवे
अयि कमले कमलानिलये कमलानिलयः स कथं न भवेत् ।
तव पदमेव परम्पदमित्यनुशीलयतो मम किं न शिवे
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १८ ॥
Pada-Kamalam Karunnaa-Nilaye Varivasyati Yo-[A]nudinam Su-Shive
Ayi Kamale Kamalaa-Nilaye Kamalaa-Nilayah Sa Katham Na Bhavet |
Tava Padam-Eva Param-Padam-Ity-Anushiilayato Mama Kim Na Shive
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 18 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
18.1: (Salutations to You O Divine Mother) I Invoke You knowing that Whoever Serves Your Highly Auspicious Lotus Feet Everyday, Which is an Abode of Compassion, …
18.2: (He Serves) That Lotus (Lotus Feet), Which is an Abode of Kamala (Goddess Mahalakshmi); (Therefore) Will He Not Himself Become an Abode of Kamala (i.e. filled with Purity and Prosperity)?
18.3: Your Feet Indeed is the Supreme Feet (i.e. Supreme Refuge); Therefore How can I Not Practise Devotion Towards them, O Auspicious Mother?
18.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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अयि मयि दीन दयालुतया कृपयैव त्वया भवितव्यमुमे
अयि जगतो जननी कृपयासि यथासि तथानुमितासिरते ।
यदुचितमत्र भवत्युररीकुरुतादुरुतापमपाकुरुते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ २१ ॥
Ayi Mayi Diina Dayaalu-Tayaa Krpaya-Iva Tvayaa Bhavitavyam-Ume
Ayi Jagato Jananii Krpayaasi Yathaasi Tathanu-mita-Asira-Te |
Yad-Ucitam-Atra Bhavatyurarii-Kurutaa-Duru-Taapam-Apaakurute
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 21 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
21.1: (Salutations to You O Divine Mother) I Invoke You; You Must Bestow Your Grace on Me, O Mother Uma, Who is Compassionate to the Miserable,
21.2: (I Invoke You) O Mother of the Universe; Just as Your Grace is Showered (on the Devotees), In the Same Manner are Your Arrows Scattered (on the Enemies) (destroying their egos),
21.3 Please do Whatever is Appropriate at this time, O Worshipful Mother, to Remove the Sorrows and Afflictions (of the world) which has become Difficult for me to bear,
21.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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For the full Mahishasura Mardhini Stothram, click

here

clicking on each Sanskrit word will also give its meaning.

Rangoli on Ganesha Chathurthi, 130919

September 13, 2018

Instead of the stock Ganesha Puja photos, I thought I’d click some of the beautiful rangolis that I saw on my morning walk. So much art on our roads and footpaths, I felt like documenting and preserving these transient works.

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Kolams like these are called “puLLi kOlam” in Tamizh, that is, they have first an arrangement of dots, which are joined together or have lines drawn around them (sometimes a single continuous line); very geometrical and precise.

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Ones like this are freestyle:

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Let me end with a lovely Ganesha-themed puLLi kOlam:

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lagOri, Kaikondrahalli kere, 080117

January 8, 2017

We often lament about our children using tablets and X-boxes all the time…but I find, often that even our urban children are quite in touch with the traditional games of childhood.

Today, when I went to Kaikondrahalli lake, I found this pile of flat stones, with a young girl piling them up carefully.

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I knew that a game of

Lagori

was in progress, and waited a bit while the girls surrounded the pile of stones and began their game.

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The game involves a ball and a pile of flat stones, generally played between two teams in a large outdoor area. A member of one team (the seekers) throws a tennis ball at a pile of stones to knock them over. The seekers then try to restore the pile of stones while the opposing team (the hitters) throws the ball at them. If the ball touches a seeker, she is out and her team continues without her. A seeker can always safeguard herself by touching an opposite team member before the ball hits her.

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There are some other rules that may be added in different regions of the country.

So here, to please all of us, is the scene of children (the girls were dressed to the nines for an event at their school, which is adjacent to the kere) playing a traditional game which does not need electricity, and which is one that their parents and grandparents have probably played!

Turahalli Day, 281114

December 1, 2014

For some years now, we’ve been celebrating

Turahalli Habba, or Festival, or Day

just to register the presence of those who love this patch of forest, and want to prevent any more encroachment

Here’s the

FB page

A group of us decided to do the bird walk, and here we are, at the MCS before heading out to Turahalli:

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Light gathered in the sky:

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I spotted this little gem on the side of the road:

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tells me it is a Dodge Truck from the 40’s…

“The grille is very distinctive. Don’t know the exact model, but it sure seems similar to

this

he says. Indeed it seems to be the same!

We arrived a bit late, thanks to some befuddling GPS, but still got the rising sun:

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At Turahalli, a lot of activities were going on.

There were rock climbers:

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There were people just enjoying the peace:

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Some were sharing their knowledge:

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Some were collecting trash, and laughing about their “spoils”!

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It was good to see far less trash than before, and even more heartening to see children collecting it, too:

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There was cycling:

It was good to see adult and children’s cycles!

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We opened our “birding account” on the way to Turahalli with this female

KESTREL:

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MBK pointed out this

PEACOCK

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but later the butterfly group

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told us that some people were trying to poach these birds by setting the dogs on to them. I have made a complaint to the Forest Dept, and am hoping for more active surveillance.

A

SOUTHERN COUCAL

skulked through the trees, but we were able to see it.

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A delightful

CLERODENDRUM

greeted us:

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The butterfly group got 50 species! Here’s a

COMMON CROW:

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I found this dead

FRUIT-PIERCING MOTH:

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I saw a

YELLOW PANSY:

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It was not nice, though, to see the loooong line of cars which had come for the event…but I suppose it can’t be helped!

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Naturally, there is a huge block of buildings coming up right opposite, with this as the selling point:

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Of course, some of us finished with a good breakfast at Adiga’s:

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On the way back home, I was wondering if I could hire this silver chariot!

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I’ve put up more photos on my FB album,

here

We hope the sun always shines on an undisturbed patch of Turahalli Forest:

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Pumpkin Farm, 191014

October 21, 2014

D and I took the children to a pumpkin farm, while A studied for her exams.

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There were pumpkins everywhere, in huge heaps.

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I caught some munchkins amongst the pumpkins:

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The name of this company is Shaffer and Son!

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I enjoyed seeing the Halloween-themed displays:

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Such pretty gourds!

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We met a few people who had apparently passed on:

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The children, of course, had a great time!

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Here they are in the “fort”:

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Boys will always be rambunctious, and girls will always look on!

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Halloween can be a heavy pumpkin!

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There were several ticketed rides.

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There were a lot of old farm implements, and vehicles, too.

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Oooh, Bonnie and Clyde!

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I never knew I could find tigers (and that, too, a white tiger!) in Missouri…

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I liked the persistence of this sign.

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We went home in the setting sun:

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This is my favourite picture from the evening. Golden autumn moments of childhood….

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click here

for the FB album of photographs.

Here’s wishing those of you who celebrate it, a happy Halloween!

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Memories of Pujo

October 2, 2014

IMG_0009 Durga Puja, Ulsoor, 06

চেযে দেখলাম নিজের মনের মধ্যে।
পুজোর সে দিনগুলি আবার
চোখের সামনে এসে পড়ল।
ঢাকি, প্রসাদ, নতুন কাপড় জামা,মিষ্টি,ঘুঘনি,সে যে ভীড় ….
মনে করিলাম সেই দৃশ্যগুলোকে।
আজ আমি অনেক দূরে আছি.
তবুও আমার মন ক্ষণে পৌঁছে গেল
মায়ের কাছে….
মহিষাসুর মর্ধিনি! দেবী!
আমার প্রনাম স্বীকার কর গো মা!
তোমার চরণ স্পর্শতে
আমার মন ও আত্মা
কমলের মতন ফুটিয়া পড়ে।
জননী, ই জগতের রক্ষা কর !

I looked back, in my mind,
And revisited the days of Pujo.
The dhaakis, prasad, new clothes, sweets, those crowds..
I saw those scenes once again.
Today, I am very far away.
But my mind reached the Mother
In an instant.
O Slayer of Mahishasur! O Goddess!
Accept my reverence, O Mother!
At the touch of your feet
My mind and soul
Blossom like lotuses.
O Mother, protect this Earth!

here

is my blogpost from 8 years ago! Happy Bijoya to everyone!

Midsummer’s Eve, Linkoping, 200614

June 25, 2014

Though I’d asked Prashanth in the morning, he mistook the midsummer’s eve Maypole dancing to be taking place on the next day; at about 4pm, he realized his mistake, and we set off to the place where it was taking place.

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Here’s a video of the dancing that he took last year:

And of the music:

Though the dancing had finished, the maypole was still up:

We saw the Love Pavilion:

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There was a small stream:

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There was a pretty wooden bridge across it:

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Perhaps this gentleman was going over his memories, with that reminiscent smile on his face?

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There were plenty of flowers blooming:

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this Silverpil tree (Salix alba)

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had some beautiful bracket fungi:

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It is the custom on this day to wear crowns of wildflowers:

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But that doesn’t mean one can’t be in touch with modernity!

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The birds were there, too!

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There were some Vikings around:

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Some kind of game with wooden skittles was being played:

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I looked at some pretty old architecture:

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This is the Stora Hotel:

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Here’s coffee… by George!

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I loved this window:

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This one is from 1912!

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With some serpentine touches:

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Some shop windows looked inviting:

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So did this art gallery (it was closed, of course)

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Of course, the Tourist Bureau was closed, too!

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Let me close with this flower (probably a Columbine?)

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we then walked towards the Linkoping Cathedral…but that’s the next post!