Posts Tagged ‘bangalore’

There could be birds verse than this…

June 16, 2019

I expected an Egret
But I had no regrets
At seeing a Heron Black-crowned.
Though everyday birds
May usually fill my words
It’s good when the unusual is found!

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It was the June 3rd Sunday outing of Bngbirds and a gathering of members of the Telegram group, Bangalore Wildlife Friends. We sighted 20 birds and we were 61 people!

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Eid at Fatima’s home, 050619

June 6, 2019

Fatima (in the lehenga..she’s 20, can you believe it?) teaches K1 Hindi. She invited us over for Eid and, with her family, extended such warm hospitality!

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Fatima, her parents and brother Zain, with K1 and K2

When we got home, I explained to the children how Imitiaz, her father, had fallen on hard times and had to shut his tailoring shop. The children have just brought out some toys that they want to give Zain, her 7-year-old brother.

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The feast at Fatima’s
I am very proud of of Fatima, who works in an office; and I am very proud of my grandchildren. This warmth and inclusiveness is what Eid, or any other festival, is all about.

Tansen: Theatre Review from the Hindu

May 31, 2019

Watch a play covering the various aspects of this 16th Century musician’s life

In a little less than two years, The Trialogue Company has had 30 shows of its Hindi play Tansen. It was first staged in July 2017 at NSD, in New Delhi. It took playwrights Sudheer Rikhari and Mohammad Faheem six months to hone the script and meticulously sew classical melodies into this period musical that portrays Tansen in a novel light.

“I was inspired by Girish Chaturvedi’s 1973 novel Tansen which revealed many unknown facets of this 16th Century musician’s life in the court of Mughal Emperor Akbar. It speaks of several aspects of his persona and life, and to present it on stage became my dream,” says Sudheer Rikhari, who is also behind the design, direction, music and production of the play.

The play has three lead actors — Mohammad Faheem, Sudheer Rikhari and Ridhima Bagga — apart from musicians singing live. “We will have the pakhawaj maestro Roman Das, a student of Gundecha Brothers, and Daksh Raj Sharma on the harmonium, travelling to Bengaluru for this show. We believe in live instruments and live voices on stage for this play,” shares Sudheer, a science graduate with a Masters in Hindustani classical and a passion for theatre.

Tansen, born in a Hindu family as Ramtanu to Parvati and Makarand in Behab near Gwalior, is brought up by Gaus Baba, a fakir who sent him to Brindavan to learn music from Swami Haridas. Even as Tansen’s first love Taani makes poignant entries into his life often, he journeys into the forests for a musical riyaaz before being spotted by the King of Rewa Raja Ramchandra Singh, where his musical expertise gains widespread fame. His music gains the attention of Emperor Akbar and Raja Ramchandra is forced to send him to the Moghul court where his melodious aptitude earns him the title ‘Mia Tansen.’ “How he marries Hussaini and his high appraisal of his self-worth sees him lose to the young musician Baiju Bawra, closes on a story infused with worldly lessons,” says Sudheer, who adds the play would also have an audience interaction.

As many as 16 songs will be presented in the course of the play, which has a duration of nearly 110 minutes and an almost continuous background score. “We have compositions by Gundecha Brothers, Pravesh Mallick and Vinay Chandra Mudgal sung by singer-actors Sudheer and Mohammad. It also includes melodies ranging from Dhrupad, Qawwali and Hori to Khayal Gaayaki accompanied by instruments,” says Ridhima, a Kathak artiste, who curated the choreography and costumes for Tansen.

“Although we have performed at the Theatre Olympics at Kalagram in Bengaluru in 2018, we are looking forward to the theatrical performance at Ranga Shankara on June 1 where we have two shows slotted,” she adds.

The play is a ruminative and absorbing journey of an artiste. “A portryal of the see-saw of emotions in the life of Tansen,” says Sudheer, going back to his dialogues in the play which are an introspection of what made Tansen great. What was the musician’s life-long quest — worship of his art or the ever-elusive emotional bond of true love? “The play begins with a dilemma over ‘Ibadat’ and ‘Ishq’ – what is worship and what is love?” he adds.

There are a few historical accounts of Tansen’s life on record. “We culled facts from Chaturvedi’s book for this musical. Many are not aware of his affair with his teenage muse Taani and subsequent marriage to Hussaini. This gripping tale mirrors Tansen’s persona,” says Sudheer, adding that the play is a metaphor on the rigours of life.

(Hindi musical ‘Tansen’ June 1, Ranga Shankara, 3.30pm and 7.30 pm, tickets at the venue and bookmyshow)

Walk home from A’s, 090419

April 9, 2019

My walk back from my daughter’s home….
A lady skilfully making brooms from the spines of palm fronds.
A young boy trying to make a “puLLi kOlam” under his sister’s tutelage (an unusual sight!).
Yellow carpets of Copper Pod flowers, and the occasional purple of the Jacaranda.
The ground still damp from the previous night’s short shower of rain.
No school buses.
Steam issuing from coffee urns in darshinis, with customers already sipping
The early buses, BMTC and company ones, thundering past.
Peeping past the Metro mess as I cross the road, hoping not to be hit.
Uneven footpaths, potholes to be avoided.
Two boys having great fun splashing a bucket of water on to a car, washing themselves as much as the vehicle.
Young men sorting out a variety of newspapers, before delivering them. Pourakramikas trundling their trash bins.
Such vibrant life around me…there cannot be a single moment of boredom in a city walk!

Theatre Review: “Monsters in the Dark”, Bangalore Little Theatre, Ranga Shankara, 270219

February 28, 2019


Cast and crew taking a bow after the performance.Photo: Deepa Mohan

“The Emperor of All Maladies”, a Pulitzer-winning book by Siddharth Mukherjee is an intense book about that dreaded “C” word…cancer, and looks at the dread ailment via multiple lenses…history, biography, describing the several discoveries, obstacles,triumphs and failures in humanity’s long journey with, and battle against, cancer.

To base a play on a book like this is a major challenge, and Bangalore Little Theatre rose up to that challenge with their play, which I watched at Ranga Shankara on the 27th of February, ’19. The theatre group had produced an excellent brochure, which described the play. I skimmed through it, wanting to let the theatre experience wash over me, without preconceptions.

The play was indeed as intense as the book; cancer is viewed like a kaleidoscope, from the opening scene of the “oncomice” (patented in the process of studying cancer), to how it feels to be diagnosed with the dread disease; from the scientists and doctors who made their contributions to the therapy, their right and wrong decisions; the ethics committees that sat in judgement on them, often hindering or stopping protocols; the suffering of cancer patients, the positivity and negativity they face from those around them, and the mental framework of the survivors. The references were more to leukaemia in children, which is a very emotional issue. The denouement and the climax of the play comes with a zing, and a hark-back to the beginning, that I cannot reveal without spoiling the suprise!

The stage design was well done; one area was designated as a kind of lab set up, where doctors and scientists could be seen pondering and worrying over tests and results; another, with two step-ladders (why did the two actors have to sit on different levels was never clear to me), represented the ethics committee’s sessions. A bench also became a hospital bed with the addition of a saline drip stand, and two chairs and a table at the left of the stage became an area where a friendship between two people blossoms into love, while one of them is diagnosed with cancer, though she is training to be an oncologist herself.

The costumes that the cast wore were very interesting. All of the cast, except for the character of the budding oncologist, wore very smart dungarees/overalls; the addition of coats, lab coats, or lace-edged ponchos demarcated the differentiation in the characters portrayed.

The dialogue was another very difficult part of the play, consisting, as it did, of many technical terms and names of protocols and processes. The playwrights tried to overcome this difficulty by simplifying as much as they could, and also using a blackboard to write some of the figures (such as 41,000 doctors who responded to a survey, or the names of the V.A.M.P protocol) so that they were clear to the audience. In spite of this, the jargon did tend to overwhelm us and we struggled, also, to keep up with the names of the doctors and scientists; some who wanted glory, and some who were truly dedicated. I must compliment the cast on their excellent command of these difficult lines, and the clear diction which ensured that the audience got the names well.

The music in the production was a major part of it. From the drum that heightened the tension in scenes, the music at every point underscored the narrative of the play, and the building tension of unfolding events. The eerie tune of “Three Blind Mice”m played on the harmonica, heightened the fact that not only the laboratory mice but the patients themselves, are sometimes the guinea pigs of those who try to work out a cure for this disease, trying new treatments and protocols on hapless sufferers.

The lighting was extremely effective too, highlighting the action at different parts of the stage, and picking up expressions such as Dastan’s amorous humour, Deeksha’s study-related tensions, or the sadness on Carla’s face as she realizes her illness. The darkness made space and time for the shifting of the stage props such as the benches, and stools, the positions for which were clearly marked on the floor of the stage.

The direction was one of the best parts of the production I watched; by being unseen, it was all the more effective. However, I would certainly suggest that a certain looseness in the production could be tightened up, which would also cut short the length of the play. I think, that with more stagings of the play, this may be done.

This is not a play for those who are looking for an evening of candy-floss escape from the real world; it brings the audience face to face with the enemy within us, that humanity has faced, fought, overcome and succumbed to, over time. It showed us how ambition or vainglory can sometimes trump compassion and empathy; but it also brought us the stories of those who conquered the illness, those who made breakthroughs in the treatments and ended with the statement that negated the title of the book on which it is based: “It is not the emperor of maladies”, but just the foe that must, and should, be conquered. A worthy effort by Bangalore Little Theatre, and I look forward to watching further productions of this play to see how it evolves.

Monsters in the Dark, by Bangalore Little Theatre
Ranga Shankara, 27 Feb ’19
75 min
Playwrights: Ravi Chari, Kavya Srinivasan
Directors: Murtuza Khetty, Deepak Mote
Costumes and Set: Aruna Nori
Cast: Abhishek Sundaravadanan, Deepthi Adappa, Disha Mittal, Khyati Raja, Meera Girijan, Minti Jain, Paawan Mukker, Prabha Venkatesh, Ratneshwar Bannerghaee, Shreekant Road, Shreya Sen, Sneha Sridhar, Vignesh Suresh
Backstage: B N Rangashre, Vinay Kambappa, Vaidya Ojha
Music: Aniruddh G, Harmonica
Tickets: Rs.200

Production supported by a grant from Kusum and Mohandas Pai and contributions from Bangalore Little Theatre, Health and Humanities, St. John's Research Institute, and Tata Memorial Centre, Mumbai.

K2 on his 6th birthday

January 28, 2019

Me: Happy birthday!
K2: You be the Evil Grandmother for my breakfast.
Me: “pluk-pluk-pluk”…I indicate a thought bubble over my head, saying, “Aha! He isn’t eating! This is a good time to go and steal his Lego Nexo Knights.”
K2: Promptly swallows a spoonful of his scrambled eggs.
Me: “pluk-pluk-pluk”…indicate a thought balloon that says, “FOILED!!” (I have to underline it in the air with my hand.)
This goes on until scrambled eggs, the RB (Regulation Banana) and milk are all finished. Ask me why I am exhausted at 8am? I have already staged a full-scale drama! George Bernard Shaw has nothing on me!
Off he goes on the school bus, with me savouring the kiss the reluctant little face dropped on my cheek.

How old are you, I asked him.

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Here he is, quite thoughtful at his party yesterday:

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No, we didn’t take him to McD, but Ronald was nearby and I clicked:

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His grandfather brought in the gods…Rama and Hanuman…to the birthday party:

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Here’s his birthday cake, which quite aptly looks like a devil:

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Here he is, look at the butcher’s knife he’s using!

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Asian Waterfowl Census, Hoskote kere, 130119

January 15, 2019

It’s always a tug-of-war on the second Sunday of every month. I have learnt a lot on the Lalbagh walks, but since I am generally committed to the 3rd and 4th Sunday walks, I do like to go to other birding spots with my friends. Well, on the 13th of January, the tug was decided by the fact that the Asian Waterfowl Census, or AWC ) is on, and we could contribute data and pretend to be very scientific, while following the experts around and getting to see a lot of birds! So off we went to Hoskote kere, after MCS (Mandatory Chai Stop) on the way.

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MCS, ITI Bus Stop. Note Vidhya’s gloves!

The group was not as large as I’d expected, but this lack of numbers was more than made up for, by the number of species sighted! I am not one for numbers, but definitely, between waterfowl, winter migrants, and woodland birds, we were able to sight, and observe the behaviour of, several species of birds.

We carefully turned into the toll-avoiding opening and proceeded down the bund of the lake. We opened our account with a White-throated Kingfisher and a Common Hawk-cuckoo sitting on the wire, out in the open.

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The fog had lifted by the time we got to the temple, and the first pale rays of sunshine showed several Spot-billed Pelicans,

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Painted Storks,

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Cormorants and Grebes on the waters.

There were two scopes on hand, and this certainly helped many of my friends, who are still new to birding, to do some Spotting of their own, apart from the bills of the pelicans and the ducks! A Pied Kingfisher hovered over the water and dove in now and then, looking for a quick breakfast.

The “spotting” extended to the far side, the scope enabled us to look at a Greater Spotted Eagle, as well as three Marsh Harriers. perched on the bare trees, and occasionally sweeping over the water, alarming all the other birds. It was delightful to see a Common Kingfisher and a Wagtail apparently enjoying a boat ride. We don’t often see birds boating!

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On the far side, thanks to the scope, the indistinct blobs resolved themselves into Garganeys, Shovellers, and Pintails too.

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Capparis flowers (Caper)

We walked down to the path into the lake from the Gangamma temple,

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Gangamma, the deity at the lake.

and Grey and Purple Herons, pods of pelicans fishing, Yellow Wagtails

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living up to their name with their bobbing tails, two Wood Sandpipers having a face-off (territory? food? We didn’t know),

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some Common Sandpipers flying with their white rumps showing. A Glossy Ibis gleamed in coppery sheen in the now strong morning sunlight,

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and we were able to make out the difference between Streak-throated, Barn, and Red-rumped Swallows in a birding id practical lesson.

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Streak-throated (L) and Barn (R) Swallows.

A Sand Martin (Common, Krishna Murthy told us) also put in an appearance. Another good comaprison study was of the three Egrets…
Little, Intermediate, and Great…It was like watching the Grimmskipp page come alive! It was lovely to see the Swallows making musical scores on the wire. I believe someone did, once, set the swallows-on-the-wire to music!

We brought out our snacks and biscuits, and stoked up enough calories to let us carry on well past the usual breakfast hour.

We then walked back up the road, doing the other part of the lake adjoining the path, and were rewarded by the sight of both the Grey-bellied Cuckoo

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and the hepatic morph, which is generally female.

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I looked at a non-singing Jerdon’s Bushlark, and a Common Hoopoe (no longer common, either) A (probable) Booted Eagle gave us a fly-past finale.

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Bee covered with pollen, on Ipomoea flowers

Not having realized just how much time had gone by, we decided to go to Sendhoor Cafe in Ulsoor, and our greed was rewarded by the fact that it was noon when we reached there, and everything was sold out! We should just have eaten at one of the two darshinis at the lake! Well, we managed to eat at the Second Choice Darshini (Kadamba, opposite Frank Anthony School) and went home, very happy with our productive morning.

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Utsava murthy of Gangamma.

The eBird list, a very impressive one, put up kindly by Praveen, is at

https://ebird.org/india/view/checklist/S51618715

I’ve put up photos on an FB album at

https://www.facebook.com/deemopahan/media_set?set=a.10156336753578878&type=3

And on a Flickr album at

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You can see I really concentrated on the bird count this time as there are just a couple of wildflowers and one spider in the album..and no butterflies at all!

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Most of the participants, at the end of the census.

It’s Monday and I am already looking forward to the next weekend!

Kaikondrahalli Kere: 4th Sunday outing of Bngbirds, 231218

December 25, 2018

Email to Bngbirds:

Where is the winter in Bangalore? Alas…. it seems to last only until the sun gathers power in the mornings! But in spite of the rather strong sunshine, several of us had a very enjoyable morning at Kaikondrahalli (or Kaikondanahalli…it’s spelt both ways at the lake!) on the 4th Sunday outing, on 23rd Dec, 2018.

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KrishnaVirat, Chandu, Shubha, Subramanyam,Tarachand, Imtiaz, Mamta, Gopinath, Jagan, Rakshith, Mandar (with Srushti), Kalyani. Kaikondrahalli kere, 231218. Sushmitha and Shankar joined us later.

We started on the path watching the Spot-billed Pelicans, Little Grebes, Little and Great Cormorants, and Spot-billed Ducks doing their “ducking” as they hunted for food. A White-throated Kingfisher arrived in a flash of cobalt blue and sat quietly at the edge of the bridge. Several Black-headed Ibises flew out, perhaps in search of the next water body.

Walking along, I showed everyone the various medicinal plants and trees that have been planted along the northern edge of the lake (along Sarjapura Road). Soon, the latecomers also caught up, and we looked at Sunbirds, Flowerpeckers, and Warblers flitting around the trees. The butterflies were not out, but a Bush Hopper on a (what else?) bush caught Chandu’s eye, and we looked at the small creature carefully.

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As we neared the halfway mark, Painted Storks,

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some Asian Openbills, and a large number of Grey Herons and just a lone Purple Heron caught our attention on the central island. Mamta, a very experienced birder from Bhubaneswar who is visiting her daughter, was helpful in spotting the Small Blue Kingfisher. Kalyani spotted a White-cheeked Barbet on the Ficus, but it took the rest of us several minutes to see it!

I was dismayed to see a notice proclaiming the construction of a Chamundeswari temple, asking for donations of bricks and cement,next to the fence. But I guess there is little we can do about it, as the marshy area (where we spotted a couple of Sandpipers) will be dumped on and filled up.

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Some of us actually clicked the Greater Spotted Eagle under the impression it was a Black Kite…it soon took off, mobbed by those can’t-get-along-with-any-other-bird crows. But we soon watched a reverse drama in the air, as a Black Kite chased a crow which had secured some food. In the fray, it seemed as if neither bird got to eat the morsel!

We watched a Two-tailed Spider, and observed how well-camouflaged it was against the bark:

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Drongos, as usual, swooped and called. We were delighted to see a Golden Oriole,

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and several Brahminy and Chestnut-tailed Starlings

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A few Rosy Starlings too:

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as we approached the rookery where the Cormorants nest in season.

It is very heartening to see children on the walk. Young Srushti (whose nickname is “Dolphin”!) , the daughter of Kalyani and Mandar, proved to be very knowledgeable about birds, and it was a pleasure showing her other creatures, like tent and orb web spiders. Krishna Virat, also quite experienced with birds, came along with his father, Chandu Bandi, who was a great help in spotting birds and showing them to the group.

Here are three birds in one frame, Little Egret, Spot-billed Duck, and Little Cormorant:

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Mamta and I shared our biscuits and orange segments with everyone,

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and we walked on beyond the Butterfly corner, which seems, once again, to be in sad shape. However, some Plain Tigers and Common Jezebels were found a little further on. Brahminy Kites, both adult and juvenile, soared overhead.

There was a lot of activity in the tall Eucalyptus near the rest rooms, with Warblers and White-eyes flitting around, and a Purple Sunbird flashing its metallic plumage in the sunlight.

A Praying Mantis on Mandar’s clothes delighted us for a while.

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We managed to see a Spotted Dove, and a Shikra gave us a fitting flypast to end our outing. Some of us adjourned to South Inn for a hearty breakfast

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and dispersed, well-pleased with what we had seen, and observed.

the eBird list is

here

the FB album is

here

and the Flickr album is

here

Here’s a short video of a Cormorant drying its wings while still swimming!

This was the last Bngbirds walk for 2018, and I take the opportunity of wishing everyone a very merry Christmas if they celebrate it, or a happy holiday if they don’t…and all the best for a prosperous 2019!

Cheers, Deepa.

Shadow puppetry: Michael and Wendy Dacre at Kathalaya, 231118

November 24, 2018

Sometimes the shadow is just as interesting as the substance.

I was privileged to peep in on a shadow puppet workshop that

Michael and Wendy Dacre

conducted at Kathalaya, BTM Layout, Bangalore, on 23rd November 2018.

Nikhil from the Hindu interviews Michael and Wendy, while Geeta looks on.
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Shadow puppet theatre has long been a part of the traditional arts of many cultures,but when Wendy first got interested in it, she found that there was no tradition of it at all, in the United Kingdom. She built up her shadow puppets, and the shadow puppet theatre, from scratch, using any of a wide variety of materials to hand, and learning the ways puppets can be moved behind the screen, by experimentation. “Traditional shadow puppetry has set rules,” Wendy says, on a cloudy afternoon. “But I invented as I went along.” She did take the help of technology, she says; “If, for example, I wanted to make the silhouette of a buffalo, I would look at images on the net to be able to draw one.”

Michael and Wendy
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Wendy, therefore, describes herself as a “maker”. Whether it is the puppets themselves, or the proscenium on which they act out the story that Michael tells, they are all her own creations.

Michael takes up the story, from the viewpoint of telling the tale. “The puppets themselves don’t talk, in our shows,” he explains. It’s the audience’s minds and imagination, he says, that fills up the details: “The mind has to fill in the other things.” “I see the story in my inner mind,” he adds. Both he and Wendy sometimes improvise as they go along. The occasional tussles of each wanting to do something different, and the resulting compromises, make for interesting theatre!

What is the longest shadow puppet theatre they have staged? Michael talks of the many tales he’s picked up all over…the Icelandic and Irish mythology, the tales from the Ramayana and the Mahabharata, and the Old English folklore. Their story of Beowulf is about an hour long, Michael says, as is the production of “Into a New Time”. He mentions tales based on the Sargasso Sea. Though the content could be very adult, he explains, he finds that it’s the adults who are most often captivated by the simplest of tales. “It’s been 31 years of an amazing journey with the stories and Wendy’s puppets,” he says. He describes himself, smilingly, as a “wordsmith”, who spins and relates the tale that Wendy brings forth with her puppets.

The puppets can vary greatly in size. “I’ve made some giant puppets,” smiles Wendy. “For the Arthurian tale of

Gawain and the Green Knight

I made a Green Knight puppet with a giant head, with creepers and plants growing out of his face, ears and all…and the puppet had to be beheaded in the course of the story! “Velcro came in handy!” she laughs.

All the pupppets only monochrome shadows? “Oh, no, you just saw the green grass, the coloured flowers and the other things I created as the stage,” explains Wendy. “I use anything, such as glass paper, that is translucent and will let the light through. Sometimes the mixture of colours gets me interesting combination, sometimes the pigments merge into black.” She also uses coloured lights as well, to enhance the silhouettes.

How does Wendy take care of the puppets? She laughs. Her craft, she says, is very much “of the time”, and the puppets can disintegrate into their component parts or, as happened with one giant puppet, get composted! Fabric, willow, glue, ratafia…she uses materials that can decompose.

For the workshop, Wendy has brought along a puppet stage, with three panels, and specially devised lighting. She must have this, as daylight cannot be focused sharply on her little stage. She’s also created a small mobile stage that can be slung across the story-teller’s shoulders and secured at the waist, so that the story teller can move round while staging the shadow puppet show.

Jayashree demonstrates the mobile stage and shows some of the puppets:

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On their first visit to India, at the invitation of Geeta Ramanujam of Kathalaya,this couple from Devon seems very much at ease. Michael tries out a vada with chutney, and interacts with the ten women, from very diverse backgrounds, who have come to participate in the workshop. Anu, Shalini, Rakhi, Savita, Shirin, Archana, Anshul, Rohini, Pavitra and Anusha are learning a bit of this art and craft and creating their own shadow puppet theatre…an exciting prospect for them.

Participants at the workshop:

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Scenery created by the participants of the workshop:

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We wish Michael and Wendy success with their first foray into our city and country, with their spinning of tales and creation of a world of the imagination.

A moose and a billy goat, in the short demonstration before the workshop:

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Here is a video that Jayashree took, of the short demonstration:

Michael and Wendy will be staging two performances with Geeta Ramanujam on Sunday, 25 November, 2018. Here are the details and the links:

Shadow puppetry Show – Geeta Ramanujam, Michael and Wendy Dacre UK.

Kathalaya, in collaboration with Indian Music Experience (IME), presents a special shadow play by international storytellers, Raventales (UK) . Venue: IME JP nagar opp. BRIGADE MILLENIUM SCHOOL on NOV. 25th 11 to 12pm. Tickets: Rs.300

Link to the event,

here

There will be another performance at 5.30 to 7.pm at Courtyard Koota, Good Earth, Kengeri, on the same day.

Link for the tickets,

here

Or you can call 8277389840 for more details.

My walk home: vehicles

November 15, 2018

The walk home from my daughter’s, in terms of vehicles:
Cars, being washed, causing rivulets of water.
Scooters and mopeds, with helmeted and helmetless riders, the latter trusting to their luck to get away without being fined…or receiving head injuries in an accident.
The occasional cycle, ridden by spandex-clad, eye-shaded men (I rarely see women on cycles, even now) or men with lungis at half-mast.
Conservancy vehicles, with garbage being thrown into their noisome innards.
Autos speeding past with passengers, or refusing to take them.
School buses and vans threading their way through narrow side roads.
Cars carefully covered with tarpaulin.Pushcarts with various wares: fruits, vegetables, flowers, knick-knacks, ears of corn.
A tow vehicle, out early, looking for wrongly parked vehichles to pull away.
An excavator and a road roller, rumbling past.
A peculiar vehicle that my daughter calls a leper skateboard, with a beggar on it, bandaged hands outstretched in supplication.
BMTC buses trying to negotiate dug-up roads and chaotic crossings.
All this explains why our traffic problems are very complex!